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Since then, he has collaborated with leading European comic scriptwriters, such as Lewis Trondheim on \u003cem data-start=\"898\" data-end=\"917\"\u003eLes Trois Chemins\u003c\/em\u003e and the essay \u003cem data-start=\"933\" data-end=\"974\"\u003eBande dessinée: apprendre et comprendre\u003c\/em\u003e (published in Spanish as \u003cem data-start=\"1002\" data-end=\"1023\"\u003eCómo hacer un cómic\u003c\/em\u003e), or with Leo on \u003cem data-start=\"1039\" data-end=\"1054\"\u003eDexter London\u003c\/em\u003e. Among his theoretical contributions are \u003cem data-start=\"1097\" data-end=\"1125\"\u003eAnatomía de una historieta\u003c\/em\u003e and \u003cem data-start=\"1128\" data-end=\"1152\"\u003eHistoria de una página\u003c\/em\u003e. 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